female directors

‘Self Made’ Co-Showrunner Elle Johnson Calls on Hollywood to Greenlight More Projects About Black Women from American History

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Emily Vogel, June 15, 2020 @ 8:56 PM, thewrap.com

Madame C.J. Walker is the OG #GirlBoss, yet not many people know her story. Which is exactly why showrunner Elle Johnson jumped at the opportunity to tell it in Netflix’s “Self Made: Inspired by The Life Of Madam C.J. Walker.” The four-part limited series, starring Octavia Spencer and Tiffany Haddish, follows the unprecedented success story of Madam C.J. Walker, the founder and owner of a hair care empire and America’s first female millionaire.

“As a black woman in America, Madam C.J. Walker is a name I’d always heard about growing up, but I didn’t know very many of the details of her life,” Johnson told WrapWomen. “I was intrigued by the fact that she was born free two years after the Civil War, and that despite all the isms against her – racism and sexism – she didn’t let anything stop her from creating a hair care industry that today is worth billions of dollars,” she explained.

Despite Madam Walker’s epic success, “Self Made” marks the first time a major Hollywood studio has greenlit a project telling her story. Johnson opened up to WrapWomen about working on the groundbreaking series and why Hollywood needs to continue telling stories about black women in America.

Also Read:Why Issa Rae Made a Fictional True-Crime Series About a Missing Black Woman for 'Insecure'

What about Madam C.J. Walker’s story inspired you?

I was personally inspired by how she wouldn’t take no for an answer and that she created opportunities for herself. She didn’t necessarily have someone who looked like her to model her success after, “nevertheless she persisted.” She had to be her own hero and inspiration to keep going.

At one point she had 10,000 people working for her. That blew my mind. I’d never heard of a black woman running a business that large at that time before. The fact that she was also an activist and philanthropist who not only encouraged, but also rewarded her employees when they gave back to the community really made me want to get her story out to a wider audience. In a time when it feels like corporations put profits over people, it’s inspiring to know that Madam C.J. operated under a different paradigm, one that espoused running a successful business that also benefitting her community.

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What was it like working with such an incredible group of women on this project?

Refreshing. Humbling. Liberating. At one point my co-show runner, Janine Sherman Barrois, said this must be what it’s like to have sisters. Mind you she said this after a particularly rough week of let’s call them “heated discussions.” What I realized was that we were able to be ourselves – to not apologize or stifle or take a step back — but to bring all our passion, including disagreements and differences of opinion, to the project and still feel deeply connected to the material. And to each other. At the end of the day we had each other’s backs. We were all working for the common goal of making this project a success. Contrary to what you might think, that didn’t mean checking our egos but making sure everybody was bringing their full, complicated selves with all that swagger to the table for the benefit of telling this story. I love that about this group of women — that when we came to work we could show up as our authentic real selves and give it everything.

What message do you hope your series sends to the industry?

I hope that people in the industry will look at “Self Made” and not only be inspired and personally moved but realize that it’s a good business decision to tell stories about Black women. I hope they see that it can be done on a budget and in an engaging and binge-able way that’s relevant to contemporary audiences.

Only 5 Female DirectorS have been nominated for an Oscar in 100 years.

Every Female Director Nominated for an Oscar, From Lina Wertmuller to Greta Gerwig.jpg

From left to right

Lina Wertmuller, "Seven Beauties" (1976)  •  The first woman ever nominated in the category was this Italian director for a drama about an Italian solider who deserted the army during WWII and is sent a German prison camp. She lost to John G. Avildsen for "Rocky."

Jane Campion, "The Piano" (1993)  •  The Australian director won an Oscar for her original screenplay for the period drama but lost the directing prize to Steven Spielberg for "Schindler's List."

Sofia Coppola, "Lost in Translation" (2003)  •  The daughter of Oscar-winning "The Godfather" director Francis Ford Coppola picked up her first nomination for the quiet Japan-set character study, but lost to Peter Jackson for "The Lord of the Rings: Return of the King."

Kathryn Bigelow, "The Hurt Locker" (2009)  •  Bigelow not only scored a nomination, but managed to defeat her ex-husband James Cameron, whose "Avatar" scored Best Picture.

Greta Gerwig, "Lady Bird" (2017)  •  The indie actress wrote and directed this feature, her first as solo director, based on her upbringing in Pasadena, Calif. But Guillermo del Toro took the prize for "The Shape of Water."

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